Thursday, October 26, 2017

GIRLS DON'T




Sixteen-year-old Lorena is a science nerd at a time when girls don’t do science. It’s 1962 and the message from President Kennedy’s Committee on the Status of Women isn’t well received in her conservative community. Lorena plays the roles expected of a good girl. She’s Lorena to her teachers, Lor to her friends, and Reenie to her Dad. She can’t make her parents understand why she doesn’t want the traditional role of teacher, nurse, or secretary like her older two sisters do. Her cousin Ronnie understands her dreams, but her best friend Carly is so confident of Lor’s abilities in science, band, school, and life that she doesn’t really listen to Lor’s worries. Then Lorena’s home burns and Carly gets sent to Oklahoma to help an elderly aunt. Carly has an emergency appendectomy - except community gossip says something else, something too awful to name. Lor deals with so many crises she’s about to give up on her dream when help comes from a totally unexpected source. Never in her wildest imagination would she have predicted the end of the crazy, rad summer of 1962.  


.GIRLS DON'T ~ new October, 2017


GIRLS DON'T

THROWAWAY CHILD, a creative nonfiction style biography

His dad threw rocks, spiteful words, and a pitchfork at him. His mother told him he should have been stillborn. John A. Garrison vowed he would never be poor again. Being poor left you at the mercy of mean people. 
~ available in softcover, Kindle, NOOK May, 2016


Tuesday, April 7, 2015

new book, ELLEN, in honor of strong women everywhere

I am thrilled to be a contributor to the fabulous book, ELLEN published by Progreso Publishing Group, LLC. The book is a collection of stories and essays to honor Ellen Gray Massey and is available for Kindle, or as a paperback as of April 7,2015.

http://www.amazon.com/gp/product/B00VOGPS56?ie=UTF8&camp=1789&creativeASIN=B00VOGPS56&linkCode=xm2&tag=readwest

Wednesday, July 16, 2014

TRAVEL IN THE SIXTIES anthology


Travel in the Sixties

Travel in the Sixties is a collection of nonfiction and fiction stories, poetry, and art available in paperback and ebook formats.
http://www.amazon.com/Travel-Sixties-Joyce-C-Ragland/dp/0692316876

Contributors: Vicki D. Behl, Ann Ragland Bowns, Jack Bresee, Selene Castrovilla, Kay Gamblin, Troy Garrison, Jane Hale, Mitch Hale, Vera Harrill, Charles King, Anita Lael, Rosalie Lombardo, Elen Gray Massey, Joyce Ragland, John R. (Jack) Rayl, Beverly Reid, Marilyn Smith, Toni Somers, Bailey-Elisabeth Williams, Ken Williams

This is a benefit project. Purchase of the book is a contribution to the Ella Ragland charity that funds projects for local Alzheimer’s patients.

The publisher, Paperback Press, LLC,  donated services, thanks to owner Sharon Kizziah-Holmes!

TRAVEL IN THE SIXTIES paperback (193 pages) is available from any bookstore (by special request) or order from Alibris.com or Amazon.com. ISBN 9780692316870

Ebooks available for NOOK and Kindle.

Send queries to EllaRaglandArt@yahoo.com.

The Ella Ragland Art Company is a 501 (c )(3) company, with state and federal tax exempt status. It was founded in 2005 by Joyce Ragland, Ella’s daughter, as a way to channel funds directly to local Alzheimer’s patients. All company officers donate their time and facilities. To date, we have funded music and art projects for Alzheimer’s patients in skilled care facilities in Lebanon, Marshfield, Buffalo, and Springfield, Missouri; we've also provided small grants to Music Therapy students at Drury University.

Joyce Ragland

Founder and President of the Ella Ragland Art charity
Member of Missouri Writers Guild, Springfield Writers Guild, SCBWI, 
Ozarks Writers League
Http://JCRaglandWriting.blogspot.com
http://www.EllaRaglandArt.org

Tuesday, June 17, 2014

FRED comes out of retirement!

     FRED came out of retirement this spring thanks to the skills of Paul Coryell, his engineer-designer and sidekick Phillip Foust. The guys brought FRED to my April book promo booth at the Marshfield, Missouri Cherry Blossom Festival, and to my May book signing day at Whimsy store in Lebanon, MO.
     My Cherry Blossom Festival booth was inside the old high school gym, with vendors' tables lined up the length and breadth of the gym. Paul and Philip installed a freshly charged battery in FRED, put a new rubber band in his robotic arm, tucked my sign under his arms and sent him up and down the aisles. He was a hit! At one point, Paul was pummeled with questions from a couple of curious kids about FRED as he stood in the bleachers with the controller. As FRED boogied up and down the aisles, Philip substituted a beach ball for my book sign. One little guy in a wheelchair (that had light-up wheels) followed FRED and a super sweet encounter happened when Paul, high in the bleachers, made FRED stop and whirl around so he and the wheelchair little boy were face to face. The little guy let out a whoop - so excited!
     Mr. Gibson, the teacher during the FRED year at CHS joined us and Paul and Phillip had a catchup reunion with him. Great fun! It was thrilling to see FRED come alive again, and to hear about Paul and Phillip's college experiences.
     Next author signing, Springfield, Missouri's First Friday Art Walk in August, 2014.
Paul Coryell, Phillip Foust, Bob Gibson, aka Gibby

Saturday, January 18, 2014

Bringing research data to life in nonfiction writing

Writing a nonfiction book requires extensive research. I followed the Conway, Missouri Robotics Club for a year following their national championship. I went to Kickoff Day, robot design/planning sessions, observed and took notes of group discussions - which included arguments as well as thoughtful questions, watched the robot building process and went to the Hub and Regional competitions. At school, I talked with students individually, went to parents homes for interviews, talked with the school superintendent (the principal wouldn't talk to me) and a few community members who supported the CHS Robotics Club. At the end of the research year, I had a ton of notes and pictures of the robot driver team and the competitions. What I did not have, however, was enough data about the required mock corporation that BEST required. Oops!  How did that happen? I began the research year focused on the robot, which was the focus of the Robotics Club sponsor. He had been the supervisor for the robot for a few years and in all fairness, in my first interview of the year, he mentioned the mock corporation and the girl who did the majority of the work on that component. He also said the teacher who usually sponsored that part was no longer available. His excitement focused on the robot, the boys who designed and built it and I did too.  My bad. I wasn't the diligent reporter digging for all facts until late in the year so missed taking pictures and notes about the corporation component during the research year.  As I began writing the book, I realized my lack of data about the mock corporation was a big problem. How could I make up for that? Near the end of the school year, I tried more than once to schedule meetings with "The Women of FRED."  They didn't show, for whatever reason. So I started writing without any of their individual comments other than very brief time at competitions. During my third manuscript revision, where I'd decided to write first person, I was stuck. Racked my brain, dug out phone numbers and set up a series of meetings with the girl that Mr. Gibson identified as his main helper for the mock corporation. She was enthusiastic about the book and readily agreed to meet and talk. Now in college, Ceira and I had lunch for as many sessions as I could work in with her busy school and work schedule. The time was worth every penny. I gained a year's worth of data in a month of approximately hour long lunch sessions. We'd eat and talk, then she would look over my latest chapter draft and tell me which parts were right on and which were not. It wasn't the best organized research plan up front, but we made up for lost time. The only thing I still regret is the loss of photographs because the school took down the web site at the end of the FRED school year. I attempt to make up for that in the Dread the FRED book, by painting word pictures of the mock corporation.

Thursday, January 2, 2014

Book promotion: a mystery wrapped in an enigma and likely lodged in cyberspace

More than 100,000 students in grades 1-12 are involved in robotics activities each school year - worldwide. How do I reach them as a potential audience for my creative nonfiction book about the fuel?  Dunno, but I'm going to give it my focus for 2014. Enough people that I trust have read Dread the FRED since it's November 23 launch and gave excellent reviews, that I'm encouraged to throw much more energy into promoting the book. I believe in the book, the story about real people who overcame huge obstacles to reach a goal they didn't even dare dream of, that I'm devoting precious time and energy into yet another new area. Promotion. This is a mysterious area, a little scary, but not totally daunting. I'm sure I'll make some wrong turns, but eventually, I will reach my goal.
Stay tuned.

Sunday, December 29, 2013

What's In A Name?

In this case, the name is the title of the creative nonfiction YA book just published. My first working title for the book was The Life and Times of FRED. At the time, I thought the story was all about the robot's creation and the year's competitions. Turned out, building the robot was a major part of the story, but the backstories grew and grew after I interviewed more and more people.

When I learned that a mock corporation was required in order for a school to compete with a robot, that expanded the first backstory and gave the book a gender balance. Then I found out that instead of committees, the CHS Robotics club had a series of vice presidents in charge of (1) the table display, (2) the t-shirt design, (3) the web site, (4) fund-raising, (5) the notebook, (6) the oral presentation of the corporate team. There were many more people involved than the two main robot engineers. My working title became Team FRED. Another backstory developed into a love story. 

The final title comes from the Hub competition when the spirit team started chanting “Dread the Fred, Dread the Fred” as they racked up more and more points in a huge win. 

I posed the series of potential titles to the key students involved. The majority chose Dread the FRED. It works.

Thursday, December 5, 2013

Chronicle reporter questions #4, #5

  What other outside sources did you use?
The BEST Robotics web site has competition guidelines online as well as past winners from all over North America; there are online newspaper posts about BEST robotics competitions, university press releases from events, and the CHS youTube video.


 Is there a website or FB page that goes along with the book?
There is not yet a site dedicated to the DREAD THE FRED book, but I have postings of photos and book availability on my facebook page and in my blog JCRaglandWriting@blogspot.com.

Below is a link to a video clip:

Tuesday, December 3, 2013

CHS interview questions # 2, #3

1Ashley DiFonzo, reporter for the Conway, MO Chronicles questions and my answers regarding Dread the FRED book:

 What is your connection/history with Conway schools?
I am an alumna of the Laclede County R-I school system. I graduated eighth grade from Phillipsburg and following the consolidation, graduated from high school at Conway. In order to earn a living, I earned a BA, MA, Ed Specialist and Ed.D., degrees; taught public school, taught college, and served as a university administrator.

 Did you interview all the students in the Robotics Club from that year?

I interviewed as many students in the Robotics Club as would sit down and talk with me. That wasn’t the entire club, but a significant group including Paul Coryell, Phillip Foust, Lloyd Oberbeck, Jr., Shane Sell, Grant Rumfelt, Broghan Fields, Ceira Gisselbeck Fields, and  Shyanne Witt. I also interviewed as many parents, teachers, administrators and community members as I could find to talk with me. In addition to one-on-one and small group interviews; I followed the club the entire next year as they went to Northark College to collect the raw materials for that year’s robot, then as they planned and built the robot and the required corporation component. I watched, listened, videotaped Kickoff Day at Northark College in Harrison, planning sessions at CHS, practice sessions at CHS, attended the Hub competition at Northark College, and the regional competition at the University of Arkansas in Ft. Smith. Sadly, I didn’t have the funds to attend the national competition in Orlando but I watched a live stream of much of the action. Significant information came from over one thousand photos taken by Phillip Foust during the FRED year. 

Monday, November 25, 2013

What was my inspiration for writing Dread the FRED?

Paperback Press CEO
Sharon Kizziah Holmes

Ashley DiFonzo, Conway high school student reporter for the Conway Chronicles posed a series of questions for me, the author of DREAD THE FRED YA nonfiction book. Her first question is the most important.

Q/A with Dr. Joyce Ragland, author of DREAD THE FRED nonfiction book:

1.    What was your inspiration in writing this book?

The short answer is to recognize the accomplishments of those involved in CHS’ Robotics Club. An academic event win at a national competition is huge for any high school and quadruple times so for a rural, poor school! 

book launch
The answer continued: As I interviewed more and more people, my inspiration included a broader goal of telling the back story as well as the immediate story. That is, I learned that the team of male drivers of the robot could not have entered the BEST competitions without the mock corporation and that was mostly done by the girls in the club. Students in the Robotics Club developed required t-shirts, the web site, the notebook, the table display, did fund-raising, and made up the Spirit Team –all important to the story – about thirty students. Moreover, they did the activities after school and on weekends. The book tells more than just building and competing with the robot, it includes the problems of raising the money needed all during the year, some gender differences in Club roles, competition for resources with other activities the community traditionally supports, dominance of robotics events by wealthy private and large public schools, a love story – and more.

Tuesday, November 19, 2013

Challenges, Successes, Transitions

laughing/crying
My three-year term as the RA (Regional Advisor) for the SCBWI-Missouri chapter ends, I'm relieved, elated, and wistful. The appointment opportunity came at a time when I was fighting for dignity during a divorce where my now-ex tried to batter my sense of self, my personhood, and my emotions. He tried, but did not succeed. Being the SCBWI-MO RA gave me the opportunity to focus my energy into something positive. I now have three successful conferences behind me, many new friends, many new acquaintances, and a greater support system than I'd envisioned.

I am relieved to have the difficult parts of the position over, but glad that I succeeded despite obstacles.

I am elated to now have my creative nonfiction YA book, DREAD THE FRED in publication and thank SCBWI for the opportunity to learn from the best authors and editors in publishing.

I am wistful that the RA gig is ending, just as I've kinda sorta figured out the thing.  But my hand-picked Assistant is going to carry the torch to new heights and will probably invent a new torch while she's at it. Carry on Kimberly Ann Piddington, with my blessings and support - if needed.

We laughed, sniffled, got books autographed, learned from the best of the best, ate St. Louis Gooey Butter Cake, dined on great Italian (as only St. Louis can do) food and left the conference as friends, colleagues, inspired writers and illustrators.
SCBWI-MO collage by Peggy Archer

Joyce, in final SCBWI-MO conference RA mode

A new year resolution as of 19 November, 2013

All of a sudden the year is almost over and I've not prioritized time for my blog. My bad. This will change. I am making my new year resolution to precede my DREAD THE FRED book launch scheduled for 23 November, 2013.  Blame for lack of posting:

  • fear of blogging:  Yes, I fear that my posts will not be as interesting as the competition so I've been the shy one.  
  • priority given to others: As the RA for SCBWI-Missouri, I've spent more time attending to others' concerns than my own
  • throes of editing DREAD THE FRED:  That has caused brain lockup on many occasions, and the un-lock is thanks to Sharon Kizziah Holmes and her hybrid publishing company, Paperback Press
  • my NFP work:  Sadly, I'm blaming my Ella Art Company charity, altho it hasn't received as much quality time as needed to raise funds for my local Alzheimer's projects.  But I've affiliated with the Community Foundation of the Ozarks, set up a GoFundMe campaign, and have a fund-raiser going this month in Lebanon, MO. Guilt over for that.
  • knee surgery in May: the effects of painkillers are nasty; can't imagine why some get addicted to that stuff so I got off asap and that made me a poster child for knee surgery in Springfield, MO. At least within Dr. Mahnken's office.
  • laziness:  or situational depression, which loops back to throes of book manuscript editing ...but that is over so happy face here.
And on with the show, otherwise knows as The Book Launch for DREAD THE FRED!

Tuesday, December 11, 2012

SCBWI-MO 2012 Fall Conference

Joyce speaking as SCBWI-MO Regional Advisor:




 After an agonizing week where Frankenstorm Sandy made it look like none of the speakers from NY City would make it, all but one, our agent, made it to St. Louis.  

We had a great conference November 3 with keynoters Ellen Hopkns (YA author), Emma Dryden (Editor), David Harrison (PG, MG, YA author) and Will Terry (Illustrator).  The breakout session by a trio of SCBWI-MO authors - Nancy Polette, Cheryl Harness, and Ann Ingalls - as well as all other sessions - received excellent evaluations as did our new location at Lindenwood University in St. Charles.  Well worth all the time and efforts to create the conference.  Next year, we hope that literary agent Regina Brooks joins us.

Special thanks to Assistant Regional Advisor Kim Piddington, webmaster Janet Lloyd Weber, and RA Emeritus Sue Bradford Edwards. 

Photos from top right: 
Joyce Ragland, Joyce with Emma Dryden (center) and Kim Pidington, David Harrison delivering keynote address, Emma Dryden (left) and Ellen Hopkins (right) talking at break with author Shannon Moore, conference large group snapshot

Catching Up!

Sometimes I find that I am juggling too many projects/ideas/deadlines and have to stand back, take time to think and prioritize.  I have writing projects that are a must - I have to tell this story - and others that are good ideas, but not in the forefront but maybe should be.  For my nonprofit venture, the Ella Ragland Art 501 (c ) (3) company, I've had a web site and blog/journal built in and haven't done much with either, thus I decided to condense that activity with this one.  For one thing, it is much easier to revise/add/delete this blog than the web site, which required a web master with more expertise than mine.  This blog, I can do solo and there's great advantages there. So this is now a blended site.  I'll post activities about the NFP, and about my SCBWI-MO Regional Advisor activities.  Feels right.  Seems logical, and necessary.

The photo shows Vicki Bennett on left, who does a music project for my Alzheimer's NFP, and who is also a writer.  I'm on the right, smiling after a great night's sleep in St. Charles following our fab fall conference.

Thursday, November 24, 2011

Talking about writing and illustrating with Quinlan Lee of Adams Literary on my right and Katie Wools, Illustrator Coordinator for MoSCBWI.

The current dilemma is whether to continue a nonfiction manuscript, which gave me fits for months because I kept writing like a  professor.  Translation:  BORING.   My critique group spoke more kindly than that, but that's the gist of the thing.  Or, I can fictionalize the story as suggested by Heather Alexander of Dial Books for Young Readers.

When I experiment with fictionalizing the story, the dialog flows.  It is fun to write.  The story arc remains the same but with much more action and more about the characters.  All I need is to keep the language appropriate for today's YA audience.  That's all.

Easy, right? 

Thursday, November 17, 2011

SCBWI-Missouri conference for writers and illustrators

Our Keynote Speakers Saturday November 5, 2011 were author Suzanne Morgan Williams, agent Quinlan Lee, editor Heather Alexander, and illustrator Rich Davis.  Super faculty.  I can not find enough positive adjectives and adverbs for these amazing, talented, brilliant professionals.   
November 5th was my first conference as Missouri RA (Regional Advisor), the first for Assistant RA Janet Lloyd Weber, and the first for IC (Illustrator Coordinator) Katie Wools.  Thankfully, we had RAEmeritus Sue Bradford Edwards for consultation throughout the conference.  Janet and I live in Springfield and we had conference helpers from around the state, with the metro St. Louis area contributing the most (locals).  All of us involved in SCBWI-Missouri leadership roles are volunteers.  The collegiality is priceless!
My critique from Heather Alexander of Dial Books for Young Readers provides new levels of thought, new challenges, but perhaps more opportunities.  She suggested that I think about fictionalizing my book about the Conway High Robotics Club and their national championship with Fred, the robot.  Hmmmm
 

Sunday, October 16, 2011

a writing dilemma

I thought it would be easy to write a narrative nonfiction book about my small, rural high school's national robotics championship.  "This story will tell itself," I told my critique group.  I wrote and proudly shared chapters with my  crit pals.  They, however, told me that my writing too often sounded like a professor's lecture.  Ouch.  But-but-but. . . They were right.  I fussed and re-wrote.  The writing got better, but still "lacked a clear narrative voice" said Paula Morrow at last summer's OWAIC conference.  *BIG SIGH*  I fussed and re-wrote but although the writing got better, it still did not flow well.  Still, I pressed on.  Must write each day, even when it is work and not fun, I told myself.
     After an amazing week at last summer's SCBWI conference, I returned home energized, needing to write, excited to tell the against-all-odds story.  These kids deserve to have their story told, and told well.  The writing still, too often, was stilted.  After more than one 3 am think session, I got up early one morning - about 5:30 - and started re-writing first person, speaking as the voice of the robot.  It is a technique that Ann Angel advised against, and I likely will have to re-write as the semi-omniscient observer but for now. the writing flows.  It is finally, fun to write this story.  Fred, the robot, can be the feisty, smart mouthed, told-you-so, you-did-not voice of the teens who collectively created the amazing story.   *BIG SIGH*

Monday, August 15, 2011

SCBWI 2011 Reflections

The 40th International Conference remains a highlight for this writer and new Regional Advisor.  The amount of high quality writers and illustrators inspires and intimidates.  The bar is very high for new writers, my potential colleagues.  Your potential colleagues.  I say potential because the keynote and breakout session faculty for writers include the brilliant Laurie Halse Anderson, Lisa Yee, Bruce Coville, Gary Paulsen, Judy Blume, Ellen Hopkins, Richard Peck - whose presence leaves me tongue tied and babbling.  There are more amazing faculty writers.  Go to the SCBWI.org main web site for a full listing, and if you are serious about your own writing, budget for attendance and immersion at the next conference.  Seriously!  You must believe in yourself, invest in yourself and talk with this calibre of published author - those whom you admire and seek to emulate.  Plan now for SCBWI 2012.  You deserve the experience.  

Sunday, July 3, 2011

posts in my nfp site

Of late, I've been posting entries in "Joyce's Ella Journal"section of my NFP site at http://www.EllaRaglandArt.org.  You are invited to read and comment there - or here.  Thank you!